RE:Action: Grimm

The new US supernatural/detective series, Grimm, debuted on UK screens last night (via Watch) after enjoying a good 4 month lead in the states.  The show - which features unique, modern day spins on the classic tales of The Brothers Grimm - boasts David Greenwalt as one of its creators, whose previous credits included Buffy and co-creating Angel. Good things were expected, especially with a premise like that in a time where supernatural, urban fantasy and take-a-classic-fairytale-and-put-it-in-current-context are all the rage (see Once Upon A Time, Supernatural, Vampire Diaries etc).

       However, for me I felt this pilot episode was a bit of a mixed bag. Whilst this nice blend of conventions was nice and all, the episode itself was propped up against these inspirations, often borrowing a little too much than it oughta. That may just be me going into it too comparatively with the other shows, but you've got to admit the blatant likeness to Supernatural... Although it can hardly be blamed for this, because after all, it's just trying to find a niche here and prove to the networks that they're worth the budget. And if it takes a few creative clichés to get that, then so be it, at least for the beginning. But I digress...

  At the heart of the episode was Nick, our protagonist who quickly discovers he is of the Grimm blood-line, gifted/cursed with the abilities to spot the hidden creatures of myth and fairytale that murk in our humble societies. Actor David Giuntoli seems like a good fit for the "every man thrown into a world he doesn't yet understand" role, and plays it with an admiral sense of likeability. His ties with his girlfriend and cop-partner look like they could blossom, and the unlikely duo of him and reformed WereWolf, Siras, is what may give the show a true, honest rhythm and heart, as well as a few much needed comedic beats.

 But it's hard to forget the fact that the first half of the hour-long drama was rather lifeless for such a cult-induced show like this. Unfortunately, we're given some bland dialogue (how may times are you going to yell "WHERE IS SHE!"?) and cheese-ridden plot points ("Your parents didn't really die in a crash!" No sh*t...)  that whilst still hold the narrative together fine, don't have you laughing or rooting. Just watching, really. The second half, however, things picked up into a more intense, thought provoking show.

  Which brings me onto the baddie of the pilot; an obvious choice in "The Big Bad Wolf", riffing on the Red Riding Hood tale to a successful effect. The wolf, known as a "BlutBad", presents an eerie representation of the story's modern portrayal: a guy kidnapping a little girl and keeping her in a basement, bordering on grooming her. This slight connotation of paedophilia was a unique angle, and a ballsy one at that, which thankfully paid off in execution. The guy doesn't dress as Grandma, he acts like her; a feminine man in touch with his delicate sensibilities, providing plenty of frightful ideas. And when we see the cop duo go in to take him down, the show amps up the tensions and puts audience on edge in the suspense and terror of it all.

Not so hot... Good make-up though!

The final few scenes give us an indication of some possible story arcs (the Police Chief's a villain, the blonde woman a haggley thing, etc) and reminds us that Grimm has got a 22 episode season ahead, regardless of what went wrong earlier. We see that Nick is a flawed protagonist in the way he jumps the gun in the Hospital and earlier in the arrests, so his character definitely has mileage on it.

Let's also not forget that for a limited budget pilot, the whole thing still looked pretty damn good. Granted, the monster transformations were a bit goofy, but the tranquil woodland house and its interiors were marvellously bright and full of wonder. This fairytale aesthetic which managed to transfer from page to screen creates a neat juxtaposition to that of the gritty police department scenes, serving the show a uniqueness in that respect.

 I think that as long as Grimm can rectify the script/dialogue issues, slowly fleshing out the show's conceivably deep mythology into that of a living, breathing world, then it should see itself well into the next season at least. This wasn't by any way a bad episode, and maybe I was a little too scrutinizing, it's just that for the whole project to survive, it needs to fall away from the crutches of Angel and Supernatural, find its own swing and really shine as an individual programme.

The potential is there; it's got some fresh ideas, gorgeous looks and great action/thriller/horror attributes. So now it's just up to the next few weeks to see whether Grimm can take hold of itself and thrive upon its own merits. Because if it can, then I sure as heck want to be there watching it...


ATR

RE:View: The Name of The Wind

Tolkien. Lewis. Rowling. Martin. Pratchett. Undoubtedly the greatest Fantasy authors that ever lived. Well, time to add a new name to that list: Rothfuss. And don't go forgetting it, as Patrick Rothfuss' beautifully crafted first entry into a breathtaking trilogy (The Kingkiller Chronicle) teaches us that, above all things, names are important; especially one as grand as The Name of The Wind.

  From street urchin to magic prodigy, the ageless-like Kvothe has led an eventful life that he now tries to forget, hiding under the masquerade of a humble innkeeper on the very outskirts of life. But when a travelling scribe comes a-knocking, Kvothe reveals his long and winding history, stretching deep through the darkest pits of despair and the greatest acts of bravery. And so it is told how our protagonist Kvothe, the charming, red-headed young boy, seeks to discover what the name of the wind is, throughout his journey of tragedy, love, magic and heroics.

Ranging from his childhood days of travelling with the Edma Ruh entertainment troupe and hard cold nights on the grimy streets of Tarbean, to his trouble-bound days at the University and heartfelt attempts at wooing the woman he loves, Kvothe comes off as a charming, fun and complex character. And all the more for it, as this really is a character-driven story, all coming from Kvothe's point of view.

  But truly the most gripping of this world is its believability. Don't let the pretence of Fantasy fool you, as Rothfuss has put a ridiculous amount of effort into making this seem realistic. Magic is not just a thing that snaps from your fingers, but instead must be conjured through 'Bindings', which involve all matter of chemistry and alchemy. Folklore and religion, society and history; all richly interwoven throughout this most wholesome tale.

 It then kicks in with both these huge & dramatic and small & endearing, emotion-evoking moments. I was welling up and whimpering within the first 50 pages, then laughing joyfully out loud at those tiny character moments that just sit perfectly, while action had me rooting on the edge of my seat and then bubbling up with anger at one particularly irritating character. These characters seem so well-thought out and totally imaginable, painting a dainty image in my head of every single slight movement they make notated down on the page. You just feel like you're there, like you are with Kvothe, living and breathing his universe.


The pace seems to slow and lurch out toward the middle, as Kvothe settles down into his educational lodgings at The University. Harry Potter fans will feel right at home here, with a similar vibe of "school of magic" going on that I really dug. Don't be put off though, as this is a more mature, realistic and off-beat setting compared to that of HP and co. When it gets slow here, things start to descend a little - perhaps causing a worry of disinterest in the reader - but when the break of the equilibrium finally comes, it consequently hits you as hard as it hits Kvothe, luring you into this (as he says it) "false sense of security" and then shattering it within moments.

 Simply put, upon opening this book, you will be engulfed. Engulfed into a world you won't want to get away from. Engulfed so that you will want to make time for this story. You will stay up into the late hours, telling yourself "Just one more chapter". You won't stop thinking about it once you put it down. And you will be crushed when you realise it's finished. In fact, the ending comes so suddenly that it's just plain cruel, teasing you silently with the anticipation of the second, The Wise Man's Fear. Luckily for me, it came out earlier this year, so no waiting time, but for those who had to wait four years... How did you stay sane?

Buy it now. Read it ASAP. Thank me later.

5 Stars

ATR

Buy Now from Amazon:

The Name Of The Wind: The Kingkiller Chonicle: Book 1