Trailer Tuesday: Man of Steel

Hot on the heels of the huge release of The Dark Knight Rises comes next year's Superman Reboot, Man of Steel, which now has two separate trailers to tease the hell out of you. Starring newish Brit actor Henry Cavill (Immortals) as the legendary hero/bumbling reporter, Clark Kent, and Amy Adams (The Muppets, The Fighter) as the legendary love/kick-ass reporter, Lois Lane, this incarnation of the Superman story is rumoured to be taking the gritty Batman Begins route. With Zach Snyder (300, Watchmen, Sucker Punch) at the helm as director and The Dark Knight trilogy's very own Christopher Nolan on producing duties, Man of Steel is shaping up to be next Summer's most anticipated superhero blockbuster.

And for those unfamiliar with the origin story of DC's iconic character, here's the Wikipedia synopsis for the film (boy, do I know how to treat my readers!):

"Clark Kent is a journalist in his twenties who was adopted as a child by Martha and Jonathan Kent after he was transported to Earth from the dying planet Krypton. Raised with the values of his adoptive parents, he feels alienated because of his unique super abilities and struggles to find his place in life. When the world is attacked, he becomes the hero Superman to protect its people."

 Now down to the trailers. While both contain identical footage, each have a different voice over; the first from Clark's real Kryptonian father, Jor-El, played by Russell Crowe and the second featuring Clark's adopted Human father, Jonathan Kent, played by Kevin Costner. They're both bundled together in this video (720p!):



Dialogue Breakdown:
1) Jor-El:
"You will give the people an ideal to strive towards. They will race behind you, they will stumble, they will fall. But in time, they will join you in the Sun. In time, you will help them accomplish wonders."
2) Jonathan Kent:
"You're not just anyone. One day you're going to have to make a choice. You have to decide what kind of man you want to grow up to be; whoever that man is, good character or bad, he's going to change the world."

Both speak of the impact little Kal-El's presence will have on the human race, both highlight his extraordinary existence and both sound pretty moving. But in terms of differences, there are many. For one, Jor-El sounds like the pushy Dad forcing him to be good, whereas Jonathan with all his home-grown human sensibilities lends Clark the choice of who he wants to be. It seems this whole Father-Son relationship of how he is the product of both worlds will play a major part in his character development toward the hero the world needs him to be. Jor-El's piece even has some subtext of how Superman as an icon has been seen throughout the decades: "an ideal to strive towards". Mega kudos to David S Goyer, writer of the film and subsequently these snippets; they really hit home emotively on how truly epic and important Clark's journey is going to be -- but what else do you expect from the guy who brought us the stories for all three of Nolan Bat films?

Footage Breakdown:

• 0:09 - Lot of jeans. Lot of blue - a significant colour, perhaps? 
• 0:10 - And we pull back to see that the washing line belongs to a coastal house; could the origin story have been changed from Kent Farm, Midwest Smallville to Clark growing up instead on the Kent Farm, By The Ocean?
• 0:16 - And kick in with the score, pinched in fact from Lord of The Rings. This piece, The Bridge of Khazad-Dum, was used when Gandalf is supposedly killed by the Balrog. But before you write this one off as a "cheap re-use because they couldn't be bothered to make their own music", bear in mind that composer Hans Zimmer (also from Nolan's Bat) has only just come onto the project to score, hence the re-use. It happens. But rest assured, with Zimmer on board, the score is likely to just transcend into greatness. 

• 0:18-0:28 - Aha, boats and docks and a fisherman Clark, lending itself more and more to the "Coastal Kents" theory. Working the sea as opposed to working the land. OR maybe just a stepping stone in Clark's journey, who knows?
• 0:33 - Memories of Clark's, winning the science fair with his Dad. Let's not forget (as people often frustratingly do) that Superman is also a highly intellectual being with smarts aplenty, which from this suggests that the film will make a point of. And of course, the Father-Son stuff again.
• 0:35 - A young Clark, foreshadowing the future with the red cape, which comes off astoundingly bright in the greyish tone of the trailer. If there's one thing that Snyder can nail 100%, it's the visuals on a unique and unprecedented scale.
• 0:39 - Alien Hitchiker -- Clark's on the road, but rejected by a passer-by. This poses a lot of stuff; why is he trying to hitch-hike when he's got super speed? Does he lose his powers? Is he still learning his powers? Is he trying to fit in with humanity to better protect them? And the rejection promotes another part in Clark's journey: not all humans are good, but he must strive to see the best in them as to remain a constant beacon of hope for everyone. A challenge as good as any foe...
• 0:48 - Ah the Yellow Sun, the source of all of Superman's power. Could the Sun play a pivotal part in the plot outside of this mere concept though? And what's this misty land below? I see houses, perhaps Kent lands again? 

• 0:56 - Young Clark once more, but this time with a dog. Fingers crossed for Krypto the Superdog nods (ONLY nods, mind, in this decidedly realistic universe).

• 0:59 - Capes and reds again. Like I said, Snyder knows how to put on a show using colour and lighting and imagery to really make his films stand out, something that will give Man of Steel the visage it needs to distance itself from the previous Superman movies.
• 1:08-1:14 - And finally, just to give a single glimpse of Supes in action comes this shaky-cam style shot of a super-speed, costumed up, flight into the skies. The wobble and zoom and "slow miss" screams the realism and angle that Snyder and Co are coming from. It's akin to a rocket taking off, but gives no close-ups on Clark's face as he does this, as seen in Superman Returns etc.  Plus, imagine THIS in IMAX.
• 1:20 - Blocky, broody, metallic, beat-up, gritty, moody, darker title image with the iconic 'S', and a 2013 release date is all they're going to leave us hanging on. It'll be June 14th 2013, to be precise.

                                                                                                                       

Final Thoughts? Wow. Now that is how you do a teaser trailer. Snips, just tiny minuscule details that reveal near-to-nothing story-wise but pose hundreds of questions to speculate on in the coming months. I've usually got a string of comic-book stories that I can use to shed light on some influences the narrative may take, but I'm happy to see the team keep as tight lipped as possible through this to the point where I've no solid clue where they may draw from. I'm blown away with how much more I want to see now that this edgy, new approach has finally been seen. There's some Nolan elements in there, especially in the earthy presentation of it all -- you may not even think it was Superman until that last shot -- which is risky but potentially great. Imagine, in a world where everything is not-camped up and realised as a cynical, 'closer to reality' place, then the fantastical elements will just be made all the more awesome and incredible. Hell, I'm just gonna go ahead and say it; as of now THIS is my most anticipated movie of 2013. Faith in Nolan. Faith in Snyder. Faith in Goyer.

ATR

Is it bird? Is it a plane? No it's... More Trailers!

The Obligatory "What I Got For Christmas" Post

Ah Christmas, that annual time where most people celebrate that snowballing mish-mash of traditions and joy, and get given a bunch of stuff from friends and family, as well as giving back to them in a gracious show of love. Now, of course, the question on everyone's lips is obviously, "What did you get, Arnold?", because that's how god-damn inspirational I am to the world. Well alright, if you insist then... Don't worry though, I'm not going to start talking about all the pairs of socks I was given, no matter how awesome they were. Just significant, perhaps more exciting gifts, the majority with a hint of my absolute nerdiness.

Here are some awesome tile coasters, via my lovely Sister, each with a nice little nod to certain pop-cult entities. Left: Castle reference, Right: Superman/Smallville reference. 

A tidy set of Blu-Rays, featuring the coveted Star Wars set.

Some shiny brown work boots, just 'cause. 

Halo: Anniversary, and Assassins Creed: Revelations: Because no Holiday is complete without a fair share of video games.

A couple books, both with the Comic book industry in mind. On the left we have Grant Morrison's documentation of the world through superheroes and panels (signed, of course), and on the right, a visual commentary on the timeline of Marvel. 

A very pretty letter opener (because I suck at doing it with my hands), with an awesome Limited Edition Supes theme going on. 

Another sweet Superman thing: This huge canvas will look epic on my wall.

Writer/Actor/Comedian Alan Davies' new part auto-biography, part "talk about people he is inspired by" book. 

3 Graphic Novels, 2 of which changed the face of the industry forever (The Dark Knight Returns and The Sandman), while Old Man Logan is just too awesome. The quilt cover they rest on was also a present.

My highly-anticipated Jayne Hat, straight outta Firefly, complete with replica box and letter. "How's it sit?  Pretty cunning, don't you think?"

And the "I wonder what this could be used for" Blue Yeti USB microphone, for all my vocal and musical needs. Seen here accompanied by my new "We're not fancy, but we still rock" JVC headphones. Unlike me, who's always fancy. (Each gifted separately)

'Course, this is just a taster of all the awesome shizzle I got this year, because I don't think it's safe to expose your minds to the actual level of generosity that I was granted by my family. So thanks to all of you who were silly enough to spend unheard of riches on my humbled, yet grateful self. 'Tis a kindness, truly. Most of what you see here is from my Mum, Sister and Dad, so big, big props to them, and I hope you too were gifted such nice products of materialistic properties. "And a Happy New Year".

ATR

RE:View: Immortals

The hype based around Greek-mythology-action film Immortals was a tale of two halves. The first, with obvious reason, was whether this could be the natural successor to 2006's swords-and-sandals epic, 300, boasting a visual flair and some truly spectacular slow-mo fight sequences. The other buzz-inducing topic was its lead actor, Henry Cavill. The rising British born star (a relative unknown for most) will be donning the cape and tights for Zach Snyder's Man of Steel in 2013, and as such, Immortals was seen as a proving ground for the 28 year old, as to whether his performing prowess can lend itself to a believable and relatable Clark Kent. While they're both lofty asks, it's safe to say that Immortals does indeed deliver to a certain extent on either side.

   The story is straight forward enough, as it follows Greek hero Theseus (Cavill) on his journey to prevent the evil forces of Hyperion (Mickey Rourke, no less) from unleashing the God-forsaken (literally) Titans and bringing about war between the worlds of God and Man. Putting new spins on ancient legends along the way (such as the Minotaur), Theseus finds himself in love with a worshipped oracle (Freida Pinto), leading a mass army of men, and battling alongside the gods themselves.

The plot and story-telling, however, doesn't hold so strong against its epic prose. The script can be sloppy in places to the point where things get a little tedious, with the narrative feeling more like a scrapbook of bits and pieces, rather than a ravelling novel of grandeur. Sure, Theseus is out adventuring the lands, but there's a lot of to and fro between places, a back and forth cycle of sets and scenes.  And although they look great, thanks to the unique style of director Tarsem Singh, the golden back drops and luscious colour contrasts get tired because of these flaws, teasing the viewer with a fresh, even grander picture on the horizon, but never pulling through.

Visually Stunning

That's not to say that the art direction is sub-standard by any means. Singh has a definite vision throughout the film, which is evident in the richness of cinematography involved. Despite the repetitive discrepancies, we're given some bizarrely fantastic situations to look at that will resonate in the mind for a little while, be it a clash of golden-clad gods or the sight of blackened drenched heroes by the sea. Coupled with the mesmerising costume design, ranging from red, vibrant Indian gowns and gold, shining armours to the swathe of  the iron grey drab of Hyperion's menacingly masked army, and you've got a sure spectacle of a movie.

At its heart, of course, Immortals is an action film, taking no prisoners in its execution of blood, guts and gore, as warriors exchange blows and gods exchange mega-blows. Masterfully choreographed and beautifully shot, these battle sequences provide the movie's best moments - especially when gods get involved. Heads explode, flesh rips and screams fly; often in a show of awesome slow-mo. It may reverberate that of 300's unforgettable action scenes, but when it looks this spectacular and exciting, who can blame them?

May the best god win!

 But when we get outside of the action, the quality sags again. It's not that these parts aren't necessary, it's just they are staggeringly boring. Don't get me wrong, I hate pure action movies where the characters don't stop for a breather once in a while, but here it just doesn't flow so well. And its for one good reason; I don't particularly care about these people. The characters are never given enough chance to flesh themselves out, coming off with an alarming lack of depth. Theseus never questions "Why me?", we never really know why Hyperion is the evil bastard he is, and the attempts of humour by Theseus's newly befriended roguish thief fall flat because his personality is so one dimensional.

A small step...

  Regardless of the near transparency of his character, Cavill manages to pull off a decent performance, playing out emotions of anger, sorrow and determination confidently and fluently, especially in this selfless, leader-warrior role. His ability to perform well in action is an indication of his overall talent, proving himself worthy to be the next Son of Krypton as well as everyone's favourite Daily Planet reporter. Meanwhile Mickey Rourke gives us a frighteningly grim Hyperion, capable of the dirtiest of deeds thanks to his dedicated execution, and John Hurt drops by as the archetypical old man with his usual graceful ease.

If you just take Immortals as what it is - 110 minutes of action pumped, CGI prettiness - then you can't help but walk away from the cinema happy. Those hoping for a bit more depth and a journey into some deep mythology should look elsewhere, but at least stick around to check out Cavill's performance. 3D, once again, is a 'meh', but the look and feel of the thing is a rare breed entirely and one that can be admired for many a year.

It may not be winning awards any time soon, but at least it's not Clash of The Titans:
3/5 Stars

  Either way, I think Supes is in safe hands...


ATR

 MORE RE:VIEWS

MORE SUPERMAN

   

Remembering Smallville

After a decade of bringing us the young Superman's adventures on the small screen, Smallville has finally drawn to a close, ending the 10 season run of DC's most iconic hero. While admittedly the quality sagged post-7th season, you can't deny the influence it has had in bringing The Man of Tomorrow into people's homes and hearts, regardless of their comic-book knowledge. I for one am eternally grateful for the show that brought me into the appreciation I hold for Clark Kent/Kal-El as a character, and always will do for the rest of my life. So, to commemorate the end, I thought I'd just muse over a handful of stand out episodes that really brought forth the best.

Care to join me?

The Sunday Supdate: 21/08/11

So I've been away for some time now, and while I could just easily write it off to you as me being on holiday or something, I won't because that would be lying. And you know what they say about liars... "That they will burn in a special kind of hell reserved for child molesters and people who talk in the cinema?" Uh, no I was more referring to - you know what, it doesn't matter... So no, I haven't been training with monks in the Himalayas or assembling a team of the greatest bloggers ever known or playing Volleyball in Tanzania with Rolf Harris or even hunting down Nazi sympathisers in Finland. However, if you really want to know why I haven't been blogging lately, then you can watch this rather pointless vlog I attempted yesterday, in which I murder myself. Or if you don't want to know, save us both the embarrassment and skip past this 3 and a half minute video of awkward silences and gargantuanated "Uhm"'s.

 
It's funny, whenever I have a great month of hits (>1000), the next is always a rapid decline. Perhaps I have this subconscious fear of not reaching there by trying, so I just naturally shy away. I should really stop paying so much attention to the Stats really, and that might stop this autonomous cycle.

Alright, enough about me, here are some new (I use that term loosely) movie stills:
SORT OF SPOILERS AHEAD... BUT NOTHING MAJOR... UNLESS YOU ARE ONE OF THOSE REALLY PEDANTIC FANBOYS... IF SO GET LOST... OR DON'T BECAUSE I'M DESPERATE... BESIDES, YOU'LL SEE IT ALL IN THE TRAILERS...

Henry Cavill stands... hunched as the new Superman in Zack Snyder's Man of Steel (2013). Looks like Snyder had some of the 300 costume parts leftover, with Supes' long, flowing cape. You can also see that his costume looks like the "Basket Ball" material that the new Spider-Man is sporting (The Amazing Spider-Man), which I've got no problem with (though some do). The classic S is still emblazoned nice and wide on the chest, but there's no sign of "over the tights" pants, although that could be a trick of the (utterly atrocious) lighting at work here. And hopefully his face won't be this menacing throughout the whole movie when it drops 14th June 2013...

And here with have the lovely Anne Hathaway as Catwoman in The Dark Knight Rises.  The costume's looking very latex-y as per usual with such a character known for her tight leather duds. Seen here on the Bat-Pod, it would seem our feline friend has pinched it from good ol' Bats, either that or she's using it under his digression (perhaps he's in trouble?). Whether those goggles are part of the costume or just simply for when she's zipping round Gotham on the bike, has been the source of many an internet (read: fanboy) debate. I'm a little on the fence on this one... Although if there were alternatives for a face mask, I'd like to see them. Flowing hair's cool though, I'm down with that. For the most part, it looks like they're keeping the costume clean and simple, ditching the cleavage-y look that comes clichéd with Catwoman, and keeping Hathaway's boobs tucked away in there. (But if you happen to want to see them untucked, I suggest Love and Other Drugs). The Dark Knight shall Rise on 20th July 2012.

Yay! It's The Hunger Games! Nothing too overwhelming here, mind. You've got Jennifer Lawrence (X-Men: First Class) as our hero Katniss on the left there, a headstrong girl who must fight for her life in the savage Hunger Games against 23 over kids in this dark dystopian future. Then on the right is Liam Hemsworth (Uhm... He's the brother of Chris Hemsworth (Thor (Oh snap! Double bracket. Wait know it's a triple! This is like...(INCEPTION! Que the giant horn music! BWOARRRRRRRRRR!(Okay, getting a little off topic now... So how many close brackets do I need to put to end this now?))))) (I think that's enough...) as one of two romantic interests, Gale. Now Gale is Katniss's bud from back home, the guy she used to (illegally) hunt with, and both were crack shots with a bow. So this little scene must be before the games starts in their home "District" of 12. Both are very well interpreted from the books, particularly for how I pictured them. My only issue is that Gale looks too shiny, if you know what I mean. A guy who lives in near-poverty and spends his days running through forests shouldn't look so perfect. Where's the rugged edge to him? Anyway, The Hunger Games will be in cinemas March 23rd 2012 and may the odds be ever in your favour.

Well, I'm all "stilled out" after that (not to be confused with "stooled out"). Yeah they're 3 weeks old but who cares?! They're sweet aren't they? 

Happy 99th post by the way! The next one will be celebratory of course, although I've got no idea what it might include. 5000 hits would always be nice... But so would the knowledge that you're all happily reading this and being at least an inkling amused by my internet musings. Ta-rah for now friends, but come back soon, won't cha. Cause if you don't it'll be like leaving me hanging on a high five. Just standing there for hours, hand raised waiting for a sporting clap - that fractional touch that let's me know "Yeah, we cool.". So, are we cool?

ATR

Movie Casting News

It's been a busy week for casting, with roles being designated left, right and centre. So I, being the generous type I am, thought I would share all the news with my fellow peers (that's you). First up, it's the two DC big hitters with the latest actor confirmations...

 Superman: Man of Steel, is Zack Snyder's upcoming reboot of the world most iconic superhero. Already in the role of Clark Kent himself, is English actor Henry Cavill, who you can see star alongside Mickey Rourke in the upcoming Immortals. But on Thursday, it was officially announced that the long rumoured Kevin Costner will play Jonathan "Pa" Kent in the ambitious new take on the Superman franchise. And, if you didn't know already, Diane Lane will be appearing with Costner as faithful wife and mother, Martha Kent. So that's the Kent family sorted, now how about the villain? Well, as a matter of fact it has been rumoured that LOTR star Viggo Mortensen could be in talks to play uber kryptonian baddie, General Zod, the same Zod responsible for the destruction of planet Krypton itself... I'll keep my eyes peeled for any more news on this one.

Kneel before Zod?

  Onto the much anticipated Dark Knight Rises now, Christopher Nolan's final piece of his Batman trilogy. With Anne Hathaway as Selina Kyle/Catwoman and Tom Hardy already suiting up for the role of Bane, this is shaping up to be one hell of a cast, even without the newcomers I'm about to reveal. Joseph Gordon-Levitt, who you may remember from Nolan's mind-boggling Inception, has now been officially cast in some sort of role after months of speculation. Could he be another villain? Azrael perhaps? Or, dare I say it, Robin? Also now being "eyed" for the role of "street smart Gotham Girl" is Indie sensation Juno Temple. Let more speculation reign as fans try to decipher what this mysterious role might mean. Harley Quinn, anyone? Maybe Batgirl (unlikely)? Or, dare I dare say it, a female Robin? ... Only time will tell, but one thing you can be sure of is that Nolan knows what he's doing, so just have faith, people.

Hmmm...

 Finally, the much anticipated (well for me anyway) protagonist role in the adaptation of The Hunger Games books has been confirmed. Jennifer Lawrence is officially Katniss Everdeen, the young penniless girl who must enter into a brutal tournament where kids are pitted against each other in this dystopian future sci-fi thriller. As a fan of the books myself, I was rooting for True Grit star, Hailee Steinfield for the role as I felt her look much more suited the novels description. However I will settle for Lawrence, as it seems she's quite the actress after her many nominations for her performance in Winter's Bone. But we'll have to wait until 2012 to see if it's any good. I've got my fingers crossed.

 That would be all for now it seems, but I'm sure to be doing something or other quite soon. Plus, only 5 more hits until the big 1K! Could this article pull it through to the first thousand views? Lets hope, now hit your F5's people! See you soon.

**********************UPDATE***********************

Hot off the press; the new villain for the Spidey reboot, The Amazing Spider-Man, has been confirmed as Lizard and is being played by Welsh actor Rhys Ifans. The news comes after an actor in a minor role in the film dropped a few too many hints on a radio show this morning.

Think "The Hulk", but with scales and sharper teeth...

 The minor actor, C.Thomas Howell (who may be in a bit of shit right now) revealed that *SPOILERS* he plays a man who's son gets caught up in between a battle with Lizard and Spider-Man on the Manhattan Bridge. Spidey then saves the boy and returns him to his father. However, Howell also said:

    "There is some payback there at the end of the movie. Spider-Man is kind of hurting. I help him when all of the other people won't. Part of the story is, the nation thinks he might be a bad guy. They don't know what to think. Because of my experience on the bridge with my kid, I know he is a good guy. I pitch in and help out at the end. That is the best way."
  
A few beans too many were spilt today, I fear... Oh well, it's always good to get some accidental but official leaks on what's coming up. The new Spider-Man comes out July 2012 in 3D with The Social Network's Andrew Garfield as the famous web-slinger, and by the sounds of it, it's going to rock.


********************************UPDATE******************************


  Joseph Gordon-Levitt's role in The Dark Knight Rises has now been officially confirmed. Robin? No. Riddler? Not quite. Azrael? Nope. Mafia and crime boss Alberto Falcone, ladies and gentlemen. 

Hold onto your seats, because this movie's going to be a hell of a ride!

Son of the infamous former mafia leader, Carmine Falcone, (who you may remember for Batman Begins), Alberto will be another "realistic" villain for Batman to face, and could potentially take the trilogy full circle as it was Carmine who initially triggered Bruce Wayne to go and train. So a nice little battle between the two would tie things up nicely in terms of overarching narratives. Well played, Mr Nolan, well played...