Quote of the Day

"We're only here briefly, and while I'm here I want to allow myself joy. So fuck it."
- Amy, Her.

Showing posts with label Sci-Fi. Show all posts
Showing posts with label Sci-Fi. Show all posts

Tuesday, 11 September 2012

Trailer Tuesday: Looper

One film that's been making waves at the Toronto International Film Festival this past week is Looper: the ambitious time-hopping sci-fi, starring Bruce Willis and Joseph Gordon-Levitt. From visionary writer/director, Rian Johnson, Looper looks set to thrill with its no-holds-barred high concepts and wiz-bang action set pieces, all the while walking the very thin tight rope that is making time travel work. Here's the surprisingly detailed synopsis, from Wikipedia:
"In a futuristic gangland in the year 2044, a 25-year-old assassin named Joseph Simmons (Gordon-Levitt) works for a mafia company in Kansas City as a "Looper." Loopers kill and dispose of agents sent by their employers from corporate headquarters in Shanghai from the year 2074. Loopers are foot soldiers, paid on the condition that all targets must never escape. When Simmons recognizes his target as a future version of himself (Willis), his older self escapes after incapacitating him. The failure of his job causes his employers to come after him, forcing him to fight for his life as he hunts his older self" - Wikipedia
And now the pretty darn impressive trailer: 



Breakdown:

  • 0:19 - "I don't want to talk about time travel" -- are we getting a tongue-in-cheek, direct reference to how difficult time travel is to explain and how Looper's going to potentially side step that? Meta nod + cut the crap = awesome.
  • 0:24 - Yes, it is hard to believe that this is Joseph Gordon-Levitt, what with all the digital refiguring of his face to look like a younger Willis. Ah, Technology, will your limits ever be reached?
  • 1:01 - English actress Emily Blunt co-stars as Sara, Simmon's love interest it seems.
  • 1:04 - The tone of the city is said to be a mix of futuristic and retro themes, particularly focusing on a 1940s and 50s vibe with architecture, clothing and even the "gangster lifestyle".
  • 1:21 - Hell yeah; The Newsroom star, Jeff Daniels portrays what looks like the Looper leader.
  • 1:35 - Spin shots, motion runs -- Johnson's directional style will certainly be present.
  • 2:09 - Perhaps time travel isn't the only Sci-Fi trope we'll be seeing as telekinesis and other physics-bending abilities come into play.
  • 2:12 - Oh and Burlesque. Very physics-bendy. Well, bendy at least.
  • 2:24 - The flashy title card is a refreshing break from the looming, solid metal fonts of the big-budget blockbusters of late, presenting a slight indie feel to this one (hence its place at opening TIIF).
And you don't even have to wait long for what is already being described as "this generation's Matrix", as it releases 28th of September. Originality, talent and a hell of a lot of potential; definitely one not to be missed. 

Tuesday, 31 July 2012

Trailer Tuesday: Cloud Atlas


For this week's trailer I've got a bit of a mind blower for you: Cloud Atlas, based on the novel of the same name, is a high-concept, sci-fi, drama, action, comedy, fantasy, romance -- let's just call it ambitious, okay? -- from the Matrix messiahs themselves, the Wachowsci siblings and German film-maker, Tom Tykwer. With names like Tom Hanks, Halle Berry and Jim Broadbent starring in multiple roles (such is the nature of this huge, universe-spanning film), it's hard not to get excited. And then you see this 5 minute long trailer. Jaw. Dropping.

This synopsis from YouTube commenter, eroilormafia gives a round-about idea of the complexity of how the story works:
"Cloud Atlas is based on the 2004 multi-award winning novel by David Mitchell. It consists of 6 loosely interconnected stories: an 1850 diary of an ocean voyage across the Pacific; letters from a composer to his friend; a thriller about a murder at a nuclear power plant; a farce about a publisher in a nursing home; a rebellious clone in futuristic Korea; and the tale of a tribe living in post-apocalyptic Hawaii, far in the future."
With any luck, that should do something to lessen the madness about to invade your mind. Now prepare for 342 seconds of mind-bending, no-holds-barred, incredible film making. THIS is why we go to the movies:

 

And if that wasn't enough to quell your appetite for this fresh foray of film, why not hear what the directors/writers themselves have to say:



_________________________________________________________________

No breakdown I'm afraid, (although seriously, do you really think I have anything more to say about THAT?) but my intrigue/excitement levels are at a high.  With such big talents behind it on almost every angle you look at it from, and a sincere "blessing" from the novel's author, David Mitchell, expectations are going to go through the roof; this ain't no Sucker Punch, that's for sure. To me, this seems like it comes from such an honest, human place; to talk about connection through reality and fantasy, covering every emotion along the way on its quest to unveil our condition. And just look at this -- it's a film from people that love films, a culmination of the tradition of film itself, engulfing us all in its rejuvenation of that old school spirit. Now to just grab a copy of that book and get a'reading before we set sail for Cloud Atlas on October 26, 2012.

ATR

Tuesday, 26 June 2012

Trailer Tuesday: Dredd


Alright, to kick off my now free Summer, we're going back to the classic Dude Meister Blogs fashion of getting all Trailerly on a Tuesday. This week it was a toss up between the bad-ass looking 2000AD, Judge Dredd adaptation, Dredd or the flesh-fuelled abs-athon of Channing Tatum in Magic Mike. Despite how much we probably would all love to breakdown and dissect every single HD frame of that trailer, I've got to stick to what I know with this one. So without further ado, the synopsis (Of DREDD, just so we're sure):

"The story of Dredd takes place on an Earth ravaged by the Atomic Wars. Survivors of this world live within megacities, gargantuan urban sprawls which protect its citizens from the Cursed Earth, a radioactive desert environment populated by mutants. The main story takes place in Mega-City One, where its police force, known as judges have the power of judge, jury and executioner to thwart crime. One man, Judge Dredd (Karl Urban), a senior Judge, teams up with cadet Judge Anderson (Olivia Thirlby) to stop drug dealer Ma-Ma (Lena Headey) and her traffic of the reality-altering drug Slo-Mo." - Wikipedia (Hence the mega-linkage)
 And the trailer itself (brace for grittiness):




  • 0:10-0:18 -  Dystopian future, rioting people, District 9 etc, etc.
  • 0:21 - Aha, the SloMo drug. Sounds pretty intriguing, especially with the vivid visual style applied, and of course, the La Roux track
  • 0:38 - Why yes, that evil looking lady there does look particularly evil, perhaps because she (Lena Headey) also plays the cold Cersei Lannister in HBO's Game of Thrones. Expect this crime-queen to be a little more hands-on in her approach to opposition.  
  • 0:52 - The Judge himself, Karl Urban (Star Trek) as Dredd.
  • 0:55-1:01 - Gritty definitely seems to be on the menu, steering away from the big sci-fi feel of the 2000AD Comics (upon which this comes from) and sticking with a realism mode, as is the trend these days. 
  • 1:03 - The Dark Knight seems to spring to mind...
  • 1:26-1:35 - A lot of online comments have said this is too similar to recent action flick, The Raid, and whilst I can see where they're coming from, let's keep in mind that this was written sometime before that, just bad timing is all.
  • 1:40 - Now this is the only thing that bothers me about this trailer, and it may be because it's all taken out of context, but the dialogue just seems bland. Predictable, action-cliche lines that you wouldn't expect from writer Alex Garland (28 Days Later, Never Let Me Go). Although some of these are obviously justified ("I am the law", "Negotiation's over") as they're kind of embedded in the 2000AD lore. So we'll see...
  • 2:07-2:16 - One of the most exciting things here for sure, demonstrated perfectly in these clips is the visual/directional take on the action and cinematography. The vibrant colours juxtaposed to Dredd's leather, Black 'n' Red, visor toting uniform works harmoniously in showing the two sides of this battle; the law is in the right, but it's certainly a darker task to undertake: grimmer, lonelier and harder than the lives of those colourful criminals. Add on top that strikingly high-res visor reflection image, the gracefulness of the violent Slow-Mo shots and then the sudden visceral onslaught of a dust-covered shoot-up, and you've got yourself some skilful technique. Hats off to director Pete Travis, it seems. 
  • 2:20 - Simple title, simple font. 3D - maybe a decent use of it for once? 
  • 2:24 - I sure do hope this clip didn't just spoil the ending; Dredd throwing what looks like the evil Ma Ma out a high window, which they may have just spent the rest of the film trying to get to by ascending and assaulting this tower block? 
  • 2:26 - Guess we're just going to have to find out September 7th. 
                                                                                                                                              


Final Thoughts? Intriguing, but it could still go either way despite the aesthetic and directional attributes on display. It's a tricky balance to keep: being grittily bare-bones for the sake of having a punctual setting and theme or just looking plain cheap. Let's hope it leans toward the former. 
Story? Within the hands of Garland, I have some faith in that at least, even if the dialogue is sub par. From the varied locations of shots here, it seems like the pacing could be tight and the set-pieces a splendid feast. Only qualm with that would be whether the characters will be able to keep up and develop. 
Performances? The actors aren't exactly shown greatly here, so that's still up in the air, although their action abilities seem to be stretched well and Urban's gruff voice in full grunty mode. 
Music? The trailer featured an array, from some trippy future pop that worked okay, to standard bassy-action tropes and surprisingly some emotional melodies heard now and again which gives extra hope for perhaps not an entire action-fest. Perhaps even some of the social commentary that 2000AD often dips into?


Anyway, however this turns out, I think we can guarantee it'll be an improvement on the 1995 Stallone Judge Dredd. Or so help us all. 


ATR

Tuesday, 27 March 2012

Trailer Tuesday: Doctor Who Series 7


















Remarkably, a trailer for Doctor Who's 7th series has already been released, teasing a menagerie of intrigue and spectacle for this year's 5 episodes (out of the entire 14). So once more, like last year, the series will be split in two, with the Christmas special after those 5 in Autumn, and the remaining 8 in 2013 some time. More on the logistics of all that later, so let's get on with the surprisingly big-budget looking trailer:



And finally, for the first time in months, a breakdown!


  • 0:06 - The third episode of this series, currently called "Gunslinger", will take place in the good ol' Wild West, and is written by Being Human creator, and previous Who contributor, Toby Whitehouse. Yet again branching into some other genres, it will be exciting to see Sci-Fi and Western meld together in a DW fashion, especially since that combination is just a gold mine to fans ever since Firefly.
  • 0:12 - Of course, this being Doctor Who, it's not just the gun-toting cowboys the gang are going to be wary of, as this cyborg, maybe-human-maybe-alien lone ranger suggests. 
  • 0:17 - Obviously the desolate shoot-out staple was going to make its way in somewhere, but quite how the Doctor will overcome this without a gun (as is his code) may be a challenge...
Don't blink... Again!
  • 0:19 - Hooray, Amy and Rory make their triumphant return this series, accompanying the Doctor for five more, final adventures. Will it end in heartbreak, tears and sorrow? Showrunner Steven Moffat has promised "Not everyone will get out alive - and I mean it this time!", in the midseason finale which will see the Weeping Angels make a horrifying return...
  • 0:21 - Guess they weren't lying when they said we'd be getting "Fourteen big, blockbuster-movie episodes" in the press release, as these explosions will testify.
  •  0:26 - Why yes, that is Arthur Weasley running with Doctor and co, or as he's preferably known, Mark Williams. He, along with a number of other guest stars, will be appearing in the second episode of series 7, which also sees the show's biggest set ever. Speculation: BEGIN!
  •  0:31 - So about that code... Care to explain why the big D's got a gun in his hand, anyone? 
  • 0:33 - Oh yeah, Amy's definitely back...
  • 0:44 - Is this the Doctor being accused of Witchcraft, mayhap?
  • 0:50 - Trademark wit and humour: check.
  • 0:52 - Robots will be making an appearance in episode two it seems.
  • 0:54 - As will David Bradley, another Harry Potter alumni, once portraying grumpy caretaker Argus Flinch. Oh yeah, and he's also going to have a badass, wristy-sword thing. Villain: most certainly.
  •  0:55 - Very briefly here you might recognise Rupert Graves (Sherlock's Lestrade) taking up arms alongside Amy. Again, supposedly from the second episode.
  • 0:58 - Let me guess, you thought it was Mickey, right? Well, me too, but unfortunately not, although this new character does appear in what I believe will be the series opener, which Moffat has teased as being called "[Something] of the [Something]", having a Die-Hard-esque tone AND containing Daleks. Expect big things... 
  • 1:05 - Be careful what you wish for: Daleks ahoy! Also, anyone else getting a Jabba's Palace vibe from that eye?
_____________________________________________________________________________

Autumn, please hurry? Mind, this is all from the first 5 episodes (maybe only the first 3 for those keeping count), so no look at The Doctor's newest companion, Jenna-Louise Coleman. She'll be arriving in this year's Chirstmas Special, and has been quite the rising star here in Britain, finding regular spots on both Emmerdale and Waterloo Road. While we'll all miss Karen (Amy) and Arthur (Rory), new blood will be an exciting prospect, especially with the acting talents of Matt Smith's to compliment her. 


  And notice the distinct lack of James Corden in this trailer... Never fear, him and Moffat are trying their damndest to fit loveable Craig back into the plot-lines, and let me stretch my Corden-Speculating abilities once more...

Anyway, until Autumn, let us eagerly anticipate more DW awesomeness.

ATR


*Tiny Reels Actively Illustrating Lots of Entertainment Rich with Spoilers


Wednesday, 7 December 2011

RE:View: Firefly: The Complete Series Blu-Ray


Ah Firefly, the gleaming gem in a forest of blackened crystals, whose searing brilliance was extinguished long before its time. Often considered the greatest sci-fi television series ever, and often true in that statement, Firefly become a pop-culture phenomenon after its premature cancellation in 2003, and set itself deeply into every geek guy and girl's hearts who were lucky enough to glance upon it.

    So when I first picked up the series (of which there are but 14 episodes) on DVD back in April of this year, I had some high hopes. Now, 8 months later, I don't think a day goes by where I don't spare at least one thought to the show. It is that amazing. So when the Blu-Ray was finally released in the UK, I was lucky enough to win myself a copy.

The Show

Created by TV legend Joss Whedon, Firefly is a genre-bending experience, blending that of the classic sci-fi conventions with a scruffy Western feel to bring us something entirely unique. It takes place five hundred years in the future, where a totalitarian regime known as the Alliance rules the systems as a combination of both America and China. The show follows the escapades of the crew of Serenity, a Firefly-class vessel as they drift through space looking for work (legal or not) to keep food on the table and fuel in their engines.


    Scattered with layered and deep characters (some of which are the best I've ever seen), choc-full of witty dialogue and intelligent scripting, yet still shiny in the special effects, Firefly presents you with a realistic science fiction world, in which our "Big Damn Heroes" aren't always winning. It's this honesty and relatability that gives the show its edge that has carried it in such high regard after all these years. It kick-started literally everyone in the extremely talented cast into pretty big careers, namely Nathan Fillion, who's now regarded as a God of Geekdom.

So without further a-do, I obviously present the show with:
5/5 Stars

The Quality

Of course, this is a Blu-Ray upgrade, and so I must also cast an eye on how the new and improved picture and sound matches up. Putting the show in 1080p was always a bit risky with the fan base, who adored the classic roughness the show had pertained with its grains and flares. Luckily though, this charm still remains, but the whole thing just looks a lot crisper. We don't peer at all into what I like to call "Mexican-Soap-Opera" territory (whereby the HD makes the program look cheap), and instead are rewarded with a sharp, detailed and colour popping viewing experience of Captain Mal and his Crew. And those shots of Serenity - in 1080p - are to die for. The only issue I had with the picture was when there were really dark scenes (namely the battle of Serenity, in the first episode), and it became almost squint worthy to get what was going on.

   The sound, now in 5.1 audio is obviously a vast improvement on the DVD's tinned noise. While volume may be a problem with this (i.e. effects too loud over voice), and some SFX still sounding cheesy as hell (*Kapow!* for punch!), the thing that makes up for it most is Greg Edmonson's rich and culturally bizarre score. The stuff is like gold dust to the ears - banjos, violins, big round drum thingys - you name it, it's in there, and it sounds great.
All in all, I'd give the quality:

4/5 Stars


The Extras


A blu re-release always means one thing for sure, and that's new special features. Building upon the DVD's bonuses (which included a few short featurettes, 4 deleted scenes, gag reel, 7 commentaries and a few goodies), is a new commentary track (on Our Mrs Reynolds) featuring Joss and literally half the cast (it's mostly them laughing for 40 minutes, but still fun) and a half hour "Reunion Lunch" with Joss, Nathan, Ron and Alan. Both new features are worth the watch, almost purely because they were recorded over 5 years after the show's original 2003 run, so there's a lot of hindsight and reminisce. They also talk about Monster Cows and how there should have been an episode where someone's hands expand...

More Firefly stuff obviously equals more awesome, but only 2 added things is slightly lacking compared to how some re-releases work. Paired with the original extras, this is easily 5 Star (mostly down to the insightful commentaries alone), but as the bonuses on top alone I'm only going to say...:

3.5/5 Stars


If you own a Blu-Ray and are a Firefly fan (or Browncoat), then it is literally your duty to go out and buy this, even if it's for the picture upgrade alone. Fans without a Blu-Player, I'd say that this isn't your sole reason to get one, because even though the new stuff is cool, it's not quite worth that much, especially if you're not too interested in commentaries or behind-the-scenes stuff. And those who've never seen Firefly, well shame on you! Go out and at least pick up the DVD and experience this most tasty of TV shows. 

Show: 5 Star
Quality: 4 Star
Extras: 3.5 Star

Stand-Out Episodes: "Serenity", "Shindig", "Out of Gas", "Ariel", "The Message" and "Objects in Space".

ATR

Thursday, 24 November 2011

RE:View: In Time



Time is a valuable thing, no matter how you spin it. It could be spent watching movies, much like sci-fi/action flick, In Time, starring Justin Timberlake and Amanda Seyfried. Alternatively it could be spent reading reviews, much like this one. Or even, it could be spent protesting against corporate greed, much like the recent Occupy Wall Street campaign sweeping over the world. Because if In Time doesn't soar in some aspects, it certainly makes up for it in relevancy, giving us a tale that speaks volumes of social and economic inequality in a time that reeks of the stuff.

Taking place in an undisclosed point in the future, In Time has one very central idea; time is money. People are bio-engineered to stop ageing post-25, and instead must rely on how much time there is left on their forearm's ticker until they kick the bucket. But while some of the world live in poverty (whereby absolute poverty = sure death), the upper classes coast by with a potential of immortality. But one man defies that lifestyle, after being framed for murder. And he, along with gal-pal Sylvia, will stop at nothing to tear down the rotten system and give hope to the struggling people.

When everyone is 25, who can tell between mother, wife or daughter?
 That man is Will Salas, played by none other than pop-superstar Justin Timberlake. Still fresh from his sudden change of career paths, Timberlake gives a solid performance that (while not quite a match for his smart and smooth delivery in The Social Network) proves further his place in today's Hollywood scene. After a slight weak patch in the introductory slum scenes, Timberlake comes into his own with action, romance and emotion as we see Will's journey to truly "stick it to the man", taking him on risky poker games, car chases and lots and lots of running.

Sexy Back: a predictable couple, but gorgeous none-the-less.
So it's a good job his running mate, Amanda Seyfried, is also on par, giving us the naive rich girl, Sylvia Weis, as she comes to terms with the fact her lifestyle really might be superficial. The contrast of their characters gives the narrative a neat dynamic of opposites attracting and an obvious romantic element that works, despite the predictability, while they work together as a futuristic Bonnie and Clyde/Robin Hood. Then Cillian Murphy pulls off a great show with his head TimeKeeper role, (a cop) managing to really embody a 50 year old man in a 25 year old's body, through tone and movement with his deadpan way.

The setting and ideas involved are really unique, and will keep you interested despite the numerous plot holes and continuity errors that pop up. It's good to see an entirely fresh and independent story hit our screens for once, as opposed to the wave of adaptations, reboots and true-stories recently, so kudos to writer/director Andrew Niccol. Could you just imagine, a world where time is your money? Haunting, deep and somehow eerily believable despite its ridiculousness.

Released at any other time, In Time may not have been as poignant, being seen as merely some science fiction fun with a fast pace and neat scripting. However, as mentioned, in these times of economic imbalance the film stands for a lot more, even going to the extent of a near-social commentary of a film. Whether this was pure coincidence or an intention of Niccol's (who previously wrote The Truman Show) is unknown, but it sure gives it a relatable and intelligible edge that it may have lacked otherwise.

There still remains a plethitude of minor nuances to be found, such as a weak sub-plot, loose ends that never get fully established and an ending quite unfit to the rest of the tone. A couple things get dusted off in cheap ways, which seem like a harsh rushed way of finishing for certain parts and some directions don't quite justify themselves to full extent.

In Time is, above all things, a thought-provoking piece of cinema, blending a unique sci-fi plot with real world issues into a quick and punctual movie. It's got a real sense of independence, never borrowing from an identified source too long to be noticeable (although the nods to Logan's Run, Bonnie and Clyde etc are unavoidable) and when action picks up the pulse starts racing after some subtle subdued moments of tension. Slight niggles bring the overall quality down though and its running time of 109 minutes seems a little too generous.

Nevertheless, In Time is a film certainly worthy of your time, if just for the coolness of its plot and the significance of era-specific themes.
3.5/5 Stars
ATR



Tuesday, 26 July 2011

Trailer Tuesday: Doctor Who: Season 6 Part 2


Another trailer from Comic-Con, was the preview of the next half of Doctor Who Season 6. Expect terrifying monsters, twisty plot lines and David Walliams as a small alien with no hair and pointy ears.


Anyone for a breakdown?

  • 0:02 - Since when can Rory ride a motorbike?
  • 0:04 - The Doctor appears to be wearing a proper suit, top hat included (No Fez?!) in front of a swastika.  Confused yet?
  • 0:07 - The number 11. Not only my favourite number, but the incarnation of the Doctor that Matt Smith is, hence the "My time is running out" over the top of it. Don't panic though, Matt is still playing the Doctor next season too.
  • 0:08 - Who is Winston Churchill holding a gun to? The Doctor? Hitler? James Corden?
  • 0:09 - Speak of the devil; here comes that lovable mass of a man running down a changing room corridor. Looks like we'll be seeing a return of his character, Craig Owens.
  • 0:10 - And here's David Walliams' aforementioned alien, called Gibbis, a spooky new creature appearing in the Toby Whitehouse (Being Human) written episode, God Complex.
  • 0:11 - And another guest star this series, Daniel Mays (Outcasts, Ashes to Ashes), who'll be in a Mark Gatiss (Sherlock) episode, entitled Night Terrors.
  • 0:11 - Madame Kovarian also returns...
  • 0:13 - What is this the eye of? Dalek? Silence? James Corden?
  • 0:15 - WTF?! Middle aged Amy? In futuristic armour? When is this going to happen?
  • 0:16 - A snippet from the much anticipated episode "Lets Kill Hitler", where apparently the Doctor and co do quite the opposite. "Oh FUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU"
  • 0:19 - An odd exchange between Doctor and Corden, involving some homosexual interactions. Didn't see that coming, did you?
  • 0:22 - Amy in wonderland.
  • 0:23 - A quick shot of what looks to be a darker and grimier take on the Starship Enterprise cockpit.
  • 0:25 - At least now we know how the Doctor gets to Hitler. Smashing through the window.
  • 0:26 - River. Is. Madame. Kovarian? WHAT!? Actually, there was always a slight resemblance there...
  • 0:28-0:33 - The Silence. Cybermen. Weeping Angels. Creepy Dolls. Robots. Ugly Viking playing chess. And a close up on a Minatour. Anything else?
  • 0:33-0:35 - Followed by smashing. Lots of smashing.
  • 0:36 - Rory punches Hitler! FRIDGE YEAH!
  • 0:37 - Amy fights robots with swords and sticks! FRIDGE YE-HEAH!
  • 0:38 - David Walliams/Gibbis hides in a closet! FRIDGE YE-oh wait, that's not that exciting.
  • 0:40 - SLOW DOWN! IT'S GOING TOO FAST! From what I could gather here, dudes shoot Silence, one guy teleports, the Doctor pulls Daniel Mays away from something, a Minotaur runs down a corridor and Cybermen heads blow up. Phew.
  • 0:46 - So who is in the astronaut suit? That little girl? The Doctor himself? James Corden?
  • 0:52 - Answers will come, en masse I suppose. Looks like all these over arching plot lines should be tied up by the end of this, which makes you wonder, "How the fridge are they going to do that?".
So. Many. Questions? Why is there a Minotaur, why are the Cybermen there, will they kill Hitler, what's the deal with River, why was Amy aged, will there be a Fez, who is Daniel Mays, how does the Doctor not die, how does Gibbis play into it and most importantly, is the Doctor gay with James Corden? It'll all be revealed, this Autumn. Can't wait.

Saturday, 26 March 2011

RE:View: The Quantum Thief

Yay, a book!
  The Quantum Thief is the debut sci-fi crime thriller from Finnish Scotsman (yeah, really), Hannu Rajaniemi. Set in a deep and technological world some centuries into the future, the plot follows cunning inter-planetary thief, Jean de Flambeur as he tries to piece together his lost memories on the Moving Cities of Mars, after being broken free from a cruel and relentless game-theoretic "Dilemma Prison" by the mysterious Mieli and her dazzling Spider-Ship, Perhonen. Ridiculously long sentences aside, this is a stunning hard sci-fi novel "peopled by bizzare post-humans but powered by very human motives of betrayal, revenge and jealousy."

  Starting out as a clever heist tale, The Quantum Thief soon explodes into a sprawling and engaging story of elaborate crime, twisted romance, mind-boggling conspiracy and heart-racing action, all neatly wrapped in some interesting and thought inducing high-end sci-fi concepts. From privacy gevulots and zoku tribes to exomemory and the "Quiet", the book is littered with these complicated and often unexplained terms from start to finish. In the first few chapters, things like this are rapidly dropped upon the reader, most likely leaving you with questions that will only be answered through perseverance. And although this may turn away the impatient reader, those that stick around will find great satisfaction in the way Rajaniemi unofficially reveals the meaning of his puzzling concepts, through natural character involvement and well placed dialogue.

 The characters themselves are equally as deep as the universe they populate, with the majority having complex and intricate backgrounds that shape their poignant personalities. The thief, Jean, shines as the lovable anti-hero protaganist trying to rekindle his lost memories, while using all his charm and wit along the way. His accomplace Mieli and her modest spaceship, Perhonen, are as mysterious as they are bad-ass and young martian detective Isidore adds intellect and perception to the proceedings, while implementing a cat-and-mouse element to the narrative.

 But what really shines in The Quantum Theif is the words themselves. Literally every chapter has a killer beginning, such as the very first line itself: "As always, before the warmind and I shoot each other, I try to make small talk." and my personal favourite: "It is only a few steps from death back to life.". It's these few words that will drag you in to the story, and an incetive to read "just one more chapter then...".

 Perspective-wise, the book's split in two, as in some is written in third person (when following Mieli or Isidore) and some in first (following Jean). This original style doesn't just keep it fresh, but is a nice touch from an inquisitive readers stand point, getting the best of both worlds with the thought tracking of 1st person and the unbiased views of 3rd.

 Action and drama are handled extremely well, providing a perfect balance of the two. No fight is dragged out too long, no conversation lasts more than it needs to be and the light-romance never gets soppy or awkward, resulting in a superb overall package of all the best novel elements.

  As the story unfolds, there are gob-smacking twists, awe-inspiring mysteries and hell of a lot of awesome ideas. A new race evovled from MMORPG guilds? Futuristic vigilantes? Time as a currency? There's so much here that it's an overwhelming achievement to Rajaniemi that he's crammed it all in, while keeping well developed characters and a clever but somewhat classic story intact. And what with this being the first third of a planned trilogy, you can expect a lot more from this talented new author.

9/10 - The worst part was finishing it.